Exhibitions

Below are recent and upcoming exhibitions. I am happy to announce that my piece, Tlingit Whale, won an Award of Excellence in the Small But Mighty exhibition.

 Tlingit Whale. Egg tempera on Arches hot press watercolor paper. 
 Size: 3.25 x 7.75 inches. ©2005, Karen Ackoff. 

Small But Mighty
January 3 – 26, 2017
Christopher Art Gallery
Prairie State College
202 S. Halsted
Chicago Heights, Illinois 60411

Unified for 25
September 6, 2016 – May 14, 2017
The History Museum
808 West Washington Street
South Bend, Indiana 46601

Faculty Exhibition
September 19 – October 29, 2016
Indiana University South Bend
Gallery, Education & Arts Building
1700 Mishawaka Avenue
South Bend, Indiana 46634

Prints of my work are now available at:

Alexia Scott Studio Gallery
106 Little Falls Street
Falls Church, Virginia 22046
Open First Fridays, 5pm – 8 pm, or by appointment
Ph: 703 380–5953 | Email: Alexiapaints@gmail.com

Gulliver's Travels

I was going through some old photographs and found some pictures of my little rescue squirrel, Gulliver. Gulliver was a piney squirrel that was sick and orphaned. He went everywhere with me, hence the title of this blog.

Gulliver, hungry and lost, asked to one of my students to pick him up. She put him in a shoebox and brought him to me. Poor little fellow didn't know how to feed himself, had lost most of his fur, and had lost his mum. I brought him home, put him on a heating pad, and fed him kitten milk replacer. 

This is what he looked like when I first brought him home. He had just a little fur on his face, feet and tail. Other than that, he was pretty much naked. A number of things could have caused this, including mange, fungal infections, malnutrition, etc.

I wasn't able to enlist the help of veternarians or wildlife rehabbers, so I figured I was going to feed him well. I learned how to make squirrel chow - milk whey with lots of pulverized vitamins and minerals. Later on, I offered him avocado, berries, applies, grapes, bell peppers, oranges, peas, corn, bananas, and pomegranates.

Gulliver came to me mid-November 2008. He remained hairless for quite a few months. Then one day, I noticed he was covered in a coppery fuzz. Before too long, he recovered fully and had a beautiful fur coat.

Gulliver, my little rescue squirrel, sick and orphaned.

Gulliver, with his shiny fur coat.

I kept Gulliver for about 9 months. The nights started getting cooler, so I set about acclimating Gulliver to my backyard. I set up a large cage on my back porch for him. He soon showed interest in exploring, so I began to leave his cage door open. I provided him with a nestbox high in a tree and hung a feeding tray from a cherry tree. Because he didn't know how to cache of food for the winter, I set food out for him through the winter. 

Gulliver in the winter of 2009, chowing down on avocado and raspberries at his feeding station.

Gulliver lived in my backyard for quite a few years. He always stopped and listened if I called his name. I've since moved, and the people who bought the house say they see a little red squirrel in the backyard... so it's either Gulliver or maybe one of his babies.

I love happy endings!

Making Archival Prints

On one of the the forums I frequent, there has been discussion of archival printers and printing. For those artists who make their own archival prints (or wish to), I am providing the settings that I use. These settings work for me. You should, of course, test any settings and make adjustments to suit your own needs and preferences.

The settings below are for an Epson Stylus Pro 3880 printer and an Epson Perfection V700 PHOTO scanner, with Epson brand watercolor paper. I downloaded the profiles for the scanner and printer from the Epson web site. You should make appropriate substitutions for the equipment/materials that you use. 

CONSIDERATIONS

Monitor. Calibrate your monitor. I work on Macintosh computers, and calibration can be accessed by choosing System Prefs > Displays > Color. Choose CALIBRATE and follow the steps. You may wish to make/save more than one calibration if you work both daytime and evening, as light changes and can affect what you see on the monitor.

Scanner. All scanners are not equal. Consider optical resolution and optical density. You might also consider other features, such as being able to scan negatives or slides. Don't overlook the obvious - clean the scanner glass before you start. I use isopropyl alcohol because it doesn't leave streaks. At minimum and when scanning original artwork, I recommend scanning at 100% of the output size (the size at which the image will be printed) and 300 dpi. Output to TIFF or PSD formats. If your scanner has a high speed option, deselect it.

If your work is too large to scan, you can take a high resolution digital photograph or you might consider having a printing bureau make a high resolution scan for you.

Scan of a work in progress, scanned at a high resolution of 1800 dpi on an Epson Perfection V700 PHOTO scanner.

MY SETTINGS

SCAN. A scanner will produce an RGB image. If you plan to use the scanned image for making archival prints, leave the image as RGB (do not convert it to CMYK). 
Image type: 24 bit color
Resolution: 1800 dpi*
Scale: 100%
Unsharp Mask: Low
Speed Priority Scanning: Deselect
Configuration: Color Control

*I scan at a high resolution of 1800 dpi as I sometimes need details of my work to illustration articles for publication. By scanning at this resolution, I can always downsample my work AND I have adequate resolution for showing enlargements of detail.

PHOTOSHOP. Check manufacturers web sites for profiles for scanners, printers and paper products. 
Mode: RGB
Convert to Profile: RGB profile > Epson 3880 WC Paper
Assign Profile: Epson 3880 WC Paper
Color Settings: Working space > RGB > Epson 3880 WC Paper

PRINT. Pigment-based inks are generally used for producing archival prints. A printer that has separate cartridges for each color lets you replace only the color that you've run out of. When choosing a printer, consider the size of the output and whether or not you need to use roll paper.
Color handing: Printer handles color
Set paper size: 13x19
Page Setup: Manual Rear (depends on your printer)
Media Type: Epson WC Paper
Color Mode: Epson Standard (RGB) (or appropriate setting for your printer)
Output resolution: 2880 dpi (the highest setting possible)
DESELECT high speed printing
SELECT finest detail

Before you print, run a test sheet to make sure the printheads are not clogged. Run a cleaning cycle, as necessary, until the heads are printing clean.